Supersonick wrote:The camera work was far superior in the original scenes...
I agree. Even if some of the leter scenes are shot well, I prefer the way the original scenes where shot, and also edited. The camerawork in combination with the direction of the models holding the head BACK (something that seems to be forgotten in many recent scenes), was very expressive.
As you say both cameras focused on close shots, but from different angles, which worked great edited together for added dynamics. You could still choose version depending on which camera angle you preferred for the actual cumshots. My angle was and is the close upper camera, which I consider the "main" camera. But don't forget, sometimes
between loads Mario used to seamlessly let the camera pan out showing the whole body, sometimes from way above, and then BAM, back in the close position for the cumshots. I really like that, and I miss that in the later scenes.
But I won't complain as long as I get one good close cam1 version...
bigload wrote:it doesnt exist unfortunately. another weird PB thing from the past...
Yes, it's funny, in 2017 I made a note about it in the register I keep of my downloaded PB scenes, and wrote "
the missing monster load", hahaha. Both versions has the same frontal/below camera angle only for this specific load (32), which seems very odd.
This kind of big fat "slow" loads is way more impressive to me than the thin jetstreams of "mr brutal" and his likes. Really sad they missed the upper camera angle in the edit for what seems to be one of the nastiest loads ever.
Or is it a coincidence that Torbe operated the frontal/below camera in the original scenes, and he seems to prefer this angle? In the first PL scenes after getting out from the arrest he operated the camera himself, and almost everything is shot in this angle. But then, I don't know if he was involved in the actual editing of the original scenes. If anyone knows, please post about it. I know that later, and as far as I know still today, the camera team deliver the unedited footage, and PB (or whoever they use) does the encoding and editing.
Anyway, a re-edit of this sequence with the upper camera is highly motivated.